How to be in tune with own spirituality as described in the book christian spirituality

In the dream, this person approaches a door in a house, and from behind the door hears a haunting melody, similar to classical music, playing.

How to be in tune with own spirituality as described in the book christian spirituality

Coltrane [4] and his mother was Alice Blair. By the end of his service, he had assumed a leadership role in the band.

Spiritus: A Journal of Christian Spirituality

His first recordings, an informal session in Hawaii with Navy musicians, occurred on July 13, Originally an altoist, [17] in Coltrane also began playing tenor saxophone with the Eddie Vinson Band. In the summer ofColtrane was freelancing in Philadelphia while studying with guitarist Dennis Sandole when he received a call from Davis.

How to be in tune with own spirituality as described in the book christian spirituality

The trumpeter, whose success during the late forties had been followed by several years of decline in activity and reputation, due in part to his struggles with heroinwas again active and about to form a quintet.

Coltrane recorded many albums for Prestige under his own name at this time, but Monk refused to record for his old label. A high quality tape of a concert given by this quartet in November was also found later, and was released by Blue Note in Both tunes employed the first examples of his chord substitution cycles known as Coltrane changes.

His playing was compressed, with rapid runs cascading in hundreds of notes per minute. Giant Steps utilizes Coltrane changes. His development of these altered chord progression cycles led to further experimentation with improvised melody and harmony that he continued throughout his career.

Problems playing this file? Coltrane formed his first quartet for live performances in for an appearance at the Jazz Gallery in New York City. His interest in the straight saxophone most likely arose from his admiration for Sidney Bechet and the work of his contemporary, Steve Lacyeven though Davis claimed to have given Coltrane his first soprano saxophone.

The new soprano sound was coupled with further exploration. For example, on the Gershwin tune "But Not for Me", Coltrane employs the kinds of restless harmonic movement used on Giant Steps movement in major thirds rather than conventional perfect fourths over the A sections instead of a conventional turnaround progression.

Several other tracks recorded in the session utilized this harmonic device, including " ", "Satellite", " Body and Soul ", and " The Night Has a Thousand Eyes ". By earlybassist Davis had been replaced by Reggie Workmanwhile Eric Dolphy joined the group as a second horn around the same time.

It featured the most experimental music he had played up to this point, influenced by Indian ragasthe recent developments in modal jazzand the burgeoning free jazz movement. Audiences, too, were perplexed; in France he was booed during his final tour with Davis. InDown Beat magazine indicted Coltrane and Dolphy as players of "Anti-Jazz", in an article that bewildered and upset the musicians.

InDolphy departed and Jimmy Garrison replaced Workman as bassist. From then on, the "Classic Quartet", as it came to be known, with Tyner, Garrison, and Jones, produced searching, spiritually driven work. Coltrane was moving toward a more harmonically static style that allowed him to expand his improvisations rhythmically, melodically, and motivically.

Harmonically complex music was still present, but on stage Coltrane heavily favored continually reworking his "standards": The criticism of the quintet with Dolphy may have affected Coltrane.

He recorded an album of ballads and participated in collaborations with Duke Ellington on the album Duke Ellington and John Coltraneand with deep-voiced ballad singer Johnny Hartman on an eponymous co-credited album.

Impressions consists of two extended jams including the title track along with "Dear Old Stockholm", "After the Rain" and a blues. Coltrane later said he enjoyed having a "balanced catalogue.

Coltrane plays almost exactly one note for each syllable of the poem, and bases his phrasing on the words. On June 29,Impulse!May 08,  · A Telepathic Dream of a Song from Saturn "And our own private 'Liberace' here (as the pianist scowled at them, then grinned) is from Saturn." Why, it was the little tune I had so often hummed, and even tried to pick out, unsuccessfully, on the piano.

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Christian Spirituality: An Introduction - Alister E. McGrath - Google Books